The Indiana Repertory Theatre kicked off its 2015-16 season with a fine production of The Great Gatsby, playing through Oct. 25. Adapted from F. Scott Fitzgerald’s novel by Simon Levy (the only stage version authorized by his estate), the themes explored in the play (and novel) are as fresh and timely as when they were minted in the 1920s. Money and corruption are the backdrop to a tragic romance in this vivid tale.
The story of The Great Gatsby is familiar: The innocent Nick Carroway gets entangled in the lives of his cousin Daisy and her husband Tom’s stressed marriage, as well as his mysterious neighbor Jay Gatsby. He is an unwilling participant in Tom’s adultery with Myrtle Wilson, and also with Daisy’s rediscovered romance with Gatsby. A tragic accident that kills Myrtle leads to the murder of Gatsby, the suicide of Myrtle’s husband, and the unravelling of everyone’s lives. It is the great cautionary tale of the American Dream — the pursuit of wealth, romance and happiness that, if left unchecked, can lead to a horrific end.
Beautifully staged by Lee Savage, with crisp direction from Peter Amster, the IRT’s The Great Gatsby features a fine cast who understate the material. Matt Schwader’s take on Jay Gatsby focuses on the romantic aspect of the character, rather than the back-slapping, entitled Gatsby so often portrayed in film. Zach Kenney as Nick Carraway is a fine choice, bringing out the innocence of the young narrator. Hillary Clemens plays Daisy Buchanan as smart, torn young woman who gets swept up in passion. David Folsom’s Tom Buchanan is a racist brute who cares more about cars than people. Exceptional performances by Angela Ingersoll as the tawdry Myrtle Wilson. and Ryan Artzberger as her husband make these pivotal roles sing. Teagan Rose plays the worldly flapper Jordan Baker who seduces, but mocks, the innocent Carroway. The ever-wonderful Charles Goad makes his mark as Meyer Wolfshiem and in other small roles, accompanied by Constance Macy as Mrs. McKee and other incidental roles. It’s always a pleasure to see Macy and Goad on the IRT stage, where they bring their versatility and professionalism into every scene.
The IRT has started the season with a thrilling, dynamic take on a classic tale. The upcoming April 4, 1968: Before We Forgot How to Dream beginning Oct. 20, and the shows that follow look to be equally challenging.
Tickets are $59-$25, depending on performance. Visit www.irtlive.com or call 635-5252 for show times and ticket availability.
