The field of antique lighting is vast and complicated, with entire books being dedicated to a single manufacturer. So how do you identify the real thing from the reproductions? Let’s take a look at two of the most commonly reproduced lamps, Tiffany and Aladdin.
Conversational English has become peppered with generic terms which are actually trademarked. For example: Paper tissues are collectively referred to as Kleenex, my grandmother called all refrigerators a Frigidaire, and many of us refer to all leaded glass lamps as Tiffany. The problem arises when we mentally transpose the generic into the specific.
Tiffany “style” lamps are found everywhere from fine antique auctions to the Home Shopping Network. The original lamps made in the Tiffany Studio from 1890-1930 can range in value from a few thousand to a top end in seven figures. Several companies created lamps in the “Tiffany” style during the 1920s and even tough these lamps are “antique” they are worth a fraction of the value of an actual Tiffany. To add to the confusion, fakes hit the market in the last quarter of the 20th century that are so well produced that they can fool even an avid collector.
Tiffany lamps are almost always marked. The most common of the marks are TGDC or Tiffany Studios of New York. One of these marks will be accompanied by the model number and will be found on the base of the lamp which in most cases will be bronze, although a few pottery bases were made. When looking for marks remember that “Tiffany & Co,” is not the same as “Tiffany Studios New York” which denotes lamps made by Louis Comfort Tiffany. While the mark may not be of help in placing age to the lamp, it will help you to verify the authenticity of the pieces.
The glass produced by the Tiffany family is of the highest quality. Newer glass will have a bright shiny gleam to the surface and be flawed with creases and pits. You will also want to inspect the edges of the lamp. Newer examples will show marks of grinding before the hardware was attached.
Aladdin lamps were a staple in the American home in the early part of the 20th century. Their Lincoln’s Drape pattern is one of their most popular and has been mass-reproduced in both the tall and short models.
There are a few key factors to watch for when shopping for an “Aladdin” lamp. The original lamps are heavy two piece designs that were fused together while the glass was hot. Reproduction lamps have been glued together between the font and the base. This glue will glow when the lamp is placed under a black light.
A second point for inspection is the burner collar. When the collar is removed you will see a ridge of glass. If your lamp is old you will see a ridge of plaster which was used for connecting the collar to the lamp. New lamps are always glued, so once again you can confirm your suspicions by use of a black light.
The third way to spot a reproduction kerosene lamp is by inspecting the hardware. As with the burner collar, you will find that nearly all old connectors are attached with plaster. Old connecting bolts will be stationary due to the packed plaster around them. Newer bolts can easily be moved since they are not packed and have no support to the connector.
In this area of collecting it is important to be informed before you shop. If in doubt, especially with a “Tiffany” lamp, seek the advice of a reputable dealer or appraiser before you lay down your hard-earned cash. Until next time…….Linda
Irvington resident Linda Kennett is a professional liquidation consultant specializing in down-sizing for seniors and the liquidation of estates and may be reached at 317-429-7887 or lkennett@indy.rr.com