I recently ran across a five-dollar box of sheet music at an antique show. Seems like nobody wants sheet music anymore. I suppose, like recipe books, almanacs, TV guides, and car manuals, they are seen as obsolete nowadays. It turned out to be a fun, if not so valuable, box of paper. One was from the 1952 Marilyn Monroe film Niagara and with a bunch of 1920-40s songbooks and “how to” manuals for the Hawaiian Guitar. The one that caught my eye was a piece of ukulele sheet music for the 1925 Irving Berlin song “I Wanna Go Where You Go-Do What You Do. Then I’ll Be Happy,” performed by a pair of lovely young ladies known as the Hilton Sisters. These beautiful young girls are pictured side by side on the cover in a pose that suggests that were joined at the hip. A closer examination reveals a caption proclaiming the duo as a pair of conjoined “Siamese Twins,” and it turns out, during the Vaudeville era, Daisy and Violet Hilton were the biggest stars of their day.
Daisy and Violet Hilton were born on February 5, 1908, in Brighton, Sussex, England, birthplace of authors Charles Dickens and Rudyard Kipling. The twins were born to an unmarried barmaid named Kate Skinner. After seeing her babies, Kate was horrified, thinking that her children’s birth defects were a punishment from God for her unmarried status. She refused to look at them, let alone hold them, so she sold the girls to the midwife who had delivered them, Mary Hilton. Hilton looked at those baby girls and saw dollar signs. Hilton immediately began displaying the girls in the backroom of the Queen’s Arms pub on George Street, which she ran with her husband. As they grew, she taught the girls how to sing, dance, and play musical instruments. The Hilton sisters toured first in Britain in 1911 (aged three) as “The Double Bosses” and from then on, the twins were on the road touring the United Kingdom, Europe, and Australia. The twins were the first set of conjoined twins born in Britain to survive more than a few weeks. The girls were connected at the hip and pelvis by a fleshy appendage and shared no organs. Doctors stated that they could have easily been separated at an early age and would have lived independent lives. But the girls were seen as piggybanks in those formative years, so “fixing” them would kill the golden goose.
In 1913, rebranded as the “Famous Brighton United Twins”, they toured Australia, where they made their debut at Luna Park in Melbourne on Friday the 13th of December, 1912. Despite a massive advertising campaign, the novelty of their act quickly wore off. The show closed after only a week, and the twins, their mother Mary, and sister Edith were abandoned down under by the show’s promoter. Somewhere along the line, the Hilton family came into contact with Myer Myers, a traveling circus balloon and candy seller. Myers formed a romantic interest in the twins’ older sister Edith, and the couple was married. The marriage was not based on love, it was based on financial gain. While the twins were fond of their older sister, they never liked Myer.
In June 1916, Myer brought the girls to the United States via San Francisco. But immigration officials had never seen anything like Violet & Daisy before, so they were detained and quarantined at Angel Island (next to Alcatraz) in the San Francisco Bay for months until they were finally cleared for entry. By 1918, the 10-year-olds were traveling the Orpheum Circuit of Vaudeville Theatres across the country. The adorable little girls were extremely popular, although still categorized as medical oddities and relegated to the sideshow carnival “Freak Show” class. But the Hilton sisters were different, they weren’t just an act, they were talented. The girls were trained in singing and dancing and eventually learned to play the piano, violin, and saxophone. The twins made huge amounts of money in Vaudeville, but regardless of who was managing them, they retained very little of it.
Throughout their lives, Violet and Daisy often voiced their dislike of Myer Myers and how he exerted complete control over every aspect of their lives. Myers insisted that the twins call him “Sir,” that the girls sleep in the same bedroom with their parents, and when they were not performing in the circus, that they spend their days doing school lessons and practicing their musical instruments. The twins were also forbidden to play with other children. Myer Myers promoted the twins unscrupulously and toured them mercilessly. In time, the twins became the star attraction of the “Great Wortham Show,” a traveling carnival that toured the United States. People around the country flocked to see these beautiful, mysterious young girls. In 1917, while performing at the San Jacinto Fiesta in San Antonio, Myers built a castle-like pavilion directly across from the Alamo. Now, every visitor to the shrine of Texas independence made the trip across the street to see the twins. Myers continued to tour the twins across the U.S., and whenever he entered a city or town, he ensured that the first stop was a visit to the mayor or, if it was a state capital, the governor.
The Hilton Sisters exploded onto the American scene at precisely the right time, for the years between World War I and World War II were considered the heyday of vaudeville side shows. On stage, the adorable twin girls sang, danced, and played saxophone & piano. They were exhibited as children as sideshow curiosities, but now they toured the United States in vaudeville theatres and American burlesque circuits in the 1920s and 1930s. Myers reinvented the twins’ biographies, saying their “Mother died at their birth and their father, a soldier, was killed a short time afterward in an accident. Firmly joined together at the base of their spines, the Hilton girls present a curious spectacle, especially so as the odd grafting of nature has materialized into a seemingly uncomfortable back-to-back, half-diagonal position. Despite this, the girls move about with an ease and freedom and movement that is nothing less than astonishing.”
The Indianapolis News for Saturday, March 28, 1925, touted the twins’ first appearance at the Globe Theatre, reporting that the performance got out of hand. Their appearance caused traffic jams, and police were called to control the lines of rowdy curiosity seekers on the streets outside trying to get into the theater. During their act, the girls sang songs, played music, and always concluded in the same fashion: a waltz. Two young men were waiting in the wings offstage. On cue, the men would glide out and dance with the sisters in rhythm to an orchestra posed behind them. One of those young men was an unknown vaudevillian named Lester Townsend, soon to be known to the world as Bob Hope. In 1926, the sisters teamed up with up-and-coming comedian Bob Hope, who formed a new vaudeville act he called “Dancemedians.”
The twins appeared onstage with other luminaries like George Burns and his wife Gracie Allen, Sophie Tucker, and Charlie Chaplin. The Twins’ songwriter during their vaudeville years was Bart Howard (then known as Howard Joseph Gustafson), who wrote “Fly Me To The Moon.” That same News newspaper article reported that “the girls were like any other pair of sisters. Sometimes they would fight, and one sister would not speak to the other for days offstage. The article noted that the “girl’s fingerprints were different, one would read while the other slept, one sister may prick her finger, but the other is unaware of it, but, if one has a headache, the other will feel it. Daisy sews, but Violet is not particularly fond of sewing. Daisy enjoys housework while Violet prefers to arrange the furniture and decorate the house. There seemed to be a subtle telepathy between the twins.”
Throughout the 1920s, the twins earned $5,000 per week for 44 weeks on the Orpheum Circuit, over $91,000 weekly in today’s money. They were the highest-paid vaudeville act in America. Myer Myers was their manager, and the girls never saw a dime of that money. The Hilton Sisters were befriended by escapologist Harry Houdini, who taught them how to “mentally separate from each other.” Learning of the twins’ disadvantageous financial arrangement with Myer Myers, Houdini strongly advised the girls to emancipate themselves from their legal guardians and hit the road on their own. In his book Very Special People, author Frederick Drimmer quoted Houdini as telling the twins, “You must learn to forget your physical link. Put it out of your mind. Work at developing mental independence of each other.” Houdini died on Halloween night of 1926 and was never able to help the twins achieve that goal in his lifetime. The girls appeared in Indianapolis many times during their career. Indianapolis had a strong vaudeville, burlesque, and theatre district. The Hilton Sisters appeared at the Lyric Theatre on March 6, 1928, and again on September 6, 1928. Before that appearance, Chicago Commissioner of Health Herman Bundersen declared them healthy and described them as: “Two souls with but a single thought.” While the girls received a clean bill of health, both physically and spiritually, could the same be said of their industry?
NEXT WEEK: Part 2
Al Hunter is the author of “Haunted Indianapolis” and “Irvington Haunts. The Tour Guide.” and the co-author of the “Indiana National Road” book series. His newest books are “Osborn H. Oldroyd: Keeper of the Lincoln Flame”, “Thursdays with Doc. Recollections on Springfield & Lincoln” and “Bumps in the Night. Stories from the Weekly View.” Contact Al directly at Huntvault@aol.com or become a friend on Facebook.
