Johnny and June Carter Cash’s Home: Nashville’s Graceland, Part 1

In July of 2013, my wife and I made the 4 1/2 hour drive down to Nashville Tennessee for my birthday. After a few stops in Music City, we made an 18-mile side trip to the northeast suburb of Hendersonville and Old Hickory Lake. We traveled to Hendersonville to visit the site of Twitty City (the former home and amusement park complex owned and operated by Conway Twitty in the 1980-90s), Marty Robbins’ recording studio that he never used (he died in 1982 the same year it was set to open), Johnny and June Carter Cash’s gravesites, and the Cash family home at 200 Caudill Drive in Hendersonville. Well, what was left of it anyway. As you might imagine, the Cash Home, often described as country music’s Graceland, has an interesting history.
Johnny Cash fell in love with the house and the sprawling property the moment he saw it. Builder Braxton Dixon was building the home for his family, but Cash convinced him to sell it as a wedding present from Johnny to June. Dixon was no stranger to building celebrity homes, having built homes for Roy Orbison, Tammy Wynette, and Marty Stuart. Johnny bought the seven-bedroom/five full bathroom, 14,000 square foot mansion overlooking Old Hickory Lake in 1967 and lived there with June from 1968 to 2003. The four-lot lakefront property features five acres sitting right on the water, including 1,000 feet of lake frontage. The four large, 35-foot round front rooms featured stunning views of the property. Johnny and June lived there for 35 years and Cash wrote much of his famous music there. It was the only home the couple ever lived in together. Johnny Cash’s parents, Ray and Carrie, lived across the road from his mansion. Johnny’s brother Tommy described the house as “a very unusual contemporary structure. It was built on a solid rock foundation with native stone and wood and all kinds of unusual materials, from marble to old barn wood. I don’t think there was a major blueprint. I think the builder was building it the way he wanted it to look.”
It was the spiritual home of Cash and the musical universe he created. The home was visited by nearly every famous country star you can imagine: actors, rock stars, artists, politicians (Jimmy Carter, Ronald Reagan, and Vice President Al Gore), and even Billy Graham. June cooked for them all in the home’s kitchen: eggs, pancakes, and ham in the morning, fried chicken, cornbread, and biscuits all day long. The home hosted Cash family Christmas celebrations, songwriting sessions, and informal jams (Johnny called them guitar pulls) featuring the likes of Bob Dylan, Brooks & Dunn, Joni Mitchell, Graham Nash, and a slew of others. In 1969, legend claims that an upstart songwriter named Kris Kristofferson landed a helicopter on the lawn, in hopes of getting the home’s famous owner to listen to some demos (from which Johnny picked “Sunday Morning Coming Down”). Cash’s late ’60s and early ’70s “guitar pulls” were held in a lakeside room accessed through a hallway and down some stairs from the home’s main family room. Although informal, these star-studded jams were profound, as Johnny writes in his 1997 autobiography, “Kris Kristofferson sang ‘Me and Bobby McGee’ for the first time … and Joni Mitchell’s ‘Both Sides Now.’ Graham Nash sang ‘Marrakesh Express’, Shel Silverstein’s ‘A Boy Named Sue’ and Bob Dylan let us hear ‘Lay Lady Lay” during those sessions.”
The couple lived happily in their lakefront home until their deaths four months apart in 2003. With Johnny at her bedside, June died on May 15, 2003, at the age of 73, following heart valve replacement surgery. Johnny Cash died on September 12, 2003, at the age of 71, from what doctors said were complications from diabetes, but most believe he died of a broken heart. They are buried at the Hendersonville Memory Gardens near their home. A visit to the cemetery finds the manicured plot of the Cash family, the polished bronze grave ledger of John R. Cash at the left, and June Carter Cash to the right. The markers lay flat against the earth, completely covering the bodies that rest below. The markers, usually found peppered with coins and guitar picks, feature facsimile signatures of both artists along with Old Testament Bible quotes from the book of Psalms. June’s mother Maybelle Carter and her sisters Helen and Anita are buried nearby. As are Luther Perkins, the original guitarist of Cash’s “Tennessee Three” band, and country stars Ferlin Husky and Sheb Wooley rest nearby.
For two years following their deaths, the Cash Mansion became an empty shrine to the duo. The couple’s furniture and many of their belongings, at least those that June didn’t give away to friends and family during the last years of her life, were still inside the house, but the couple was gone. It was always a tourist spot. Countless Greyhound buses, station wagons, vans, and carloads of people made the trek up that winding, narrow lane every day to lean on the stone and wood fence imagining Johnny and June as they were in life walking the property. To the surprise of many, in 2006, the Bee Gees’ Barry Gibb purchased the Cashes’ home for a mere $2.3 million. The Bee Gees frontman bought the property with plans of renovating, restoring, and making it an artist/writer’s retreat. Although he remodeled the interior, Gibb was determined to preserve the home to honor their memory and even pledged to keep intact whatever furnishings and decorator accents that had been left behind. June was legendary for filling the house with ornate, tasteful objects that she had picked up and shipped home from performances all over the world. The renovations were at their final stage and Gibb was expected to move in that summer.
At 1:40 pm on April 10, 2007, a fire broke out outside the stone and wood building and while the fire department was on the scene within five minutes, the structure was already engulfed and the three-story contemporary structure burned to the ground. Only the chimney was still standing. But, a few original parts of the property survived the inferno, including the original garage, a covered boat dock, a bell garden, and a cute 1-bed, 1-bath detached apartment space where June stored her stage costumes. There’s also a tennis court, swimming pool, and a little guardhouse by the gate. The stone walls and steps that surrounded the home are still there as well as the stone/wood fences and gates that surround the property as they have done for half a century. The picturesque hardscaping still frames the trails that once hosted walks near the water from country royalty. The blaze spread quickly due to the flammable materials used in the construction work taking place in the mostly wooden interior. It was later revealed that the exterior structure itself was gutted when a flammable wood preserver that had been applied to the house caught on fire. Firefighters said the unusual multi-level structure of the house made the blaze even tougher to tackle. To his credit, Bee Gee Barry Gibb had removed most of that furniture, like Johnny and June’s bed, during renovation and it was safe and sound in storage.
While much music was written inside the mansion, not much music was made inside its walls. Photos of the Cash mansion can be found all over the internet and there are a couple of well-made videos you can check out too. The home was featured in the movie Walk the Line.  In the film, the property is shown when Johnny and June’s families come together for Thanksgiving dinner. But the better view can be found in a 2002 music video filmed before Johnny died for the song “Hurt” which was filmed in the home. The video depicts a weakened, vulnerable Cash looking back at his life while surveying the home he and June shared. The video was largely filmed there, and it shows rare interiors of the home as well as views of the derelict House of Cash museum nearby. It is a must-see. Cash’s final recordings took place within the house as well, when he was too weak to make it to a studio.
If you visit the Cash property today, you can almost feel Johnny’s presence. After all, you can lean against Johnny’s stone & wood fence along Caudill Drive and gaze at the remaining buildings with ease. If you spend any time there, you’re likely to be joined by other pilgrims on the Cash trail. Not much in the way of conversation, just long moments of quiet reflection and an occasional nod of shared reverence. However, if you look over your left shoulder across the street, you can see the house where Johnny died. Johnny spent his final days living in the house at 185 Claudill Drive overlooking his old Lake House. The ranch house, which was built by the same architect, Braxton Dixon, was always referred to as “Mama Cash’s house” because it was where Cash’s parents lived before their passing. The ranch house is expansive, with 4 bedrooms, 3 bathrooms, vaulted ceilings, stone fencing, and 200 feet of road frontage. Johnny spent his last days there when it became harder for him to get around in a wheelchair in the lake house. Both the lake house property and ranch house across the street have been sold (or have been offered for sale) in the years since Cash’s passing. The issue remains unclear and when I reached out to the registered owners for this story a few years back, my e-mails and phone calls were never responded to, so…
Better still, there is another lesser-known living connection to Johnny Cash on Caudill Drive. In 1978, Johnny began building a log cabin, finishing it in 1979. He intended to use it for rest, relaxation, songwriting, and recording. He named it Cash Cabin Studio but friends and family said the man in black called it the Sugarshack. The year the Cabin was built, Elvis Costello and Dave Edmunds along with members of the band Rockpile visited, being some of the first to write their names on the fireplace mantle piece. Tom Petty and the Heartbreakers stopped by in the early 1980’s. In 1982 Johnny’s daughter Kathy and her husband Jimmy were wed there. Television star John Schneider of “The Dukes of Hazard” fame lived in the cabin for some time in the mid-1980s. Other early visitors included actor Robert Duvall, Waylon Jennings, Kris Kristofferson, and Bono and Adam Clayton of U2.
According to the website, “In 1991, June’s sister Anita Carter moved into the cabin and made it her home. It was Anita who first recorded in the cabin. Recording gear was brought in and set up and featured some wonderful musicians including Anita’s dear, old friend and master producer/guitarist Chet Atkins. In 1992, Johnny met producer Rick Rubin. Rick had a diverse creative palate, having made recordings for Run DMC, The Beastie Boys, and several other groundbreaking rap and heavy metal artists. Johnny signed up with Rick’s record company and went to California to work with Rick. Although most of Johnny’s first album in the Grammy Award-winning American Recordings series was recorded at Rick’s Los Angeles home, there were a couple of tracks recorded in the Cabin, with a simple tape machine and standard microphones. The magic of the Cabin’s music took off from there. Johnny went on to record almost half of the remainder of the American Recordings series at the Cabin. June Carter Cash also recorded both of her latter life Grammy Award-winning albums Press On and Wildwood Flower at the Cabin. Through this process, John Carter Cash worked intensely with his parents on their music. In the Summer of 2003, Johnny’s last recording, made mere days before his death, was in the Cabin. He recorded two songs in their entirety in those two sessions that day: “Like the 309” early in the day, for the album “American Recordings V, A Hundred Highways”, and “Engine 143” at the end of the day, for an album being produced by John Carter, “The Unbroken Circle, The Musical Heritage of the Carter Family”. But the story doesn’t end there.

Next Week: Part 2 of Johnny and June Carter Cash’s Home: Nashville’s Graceland

Al Hunter is the author of the “Haunted Indianapolis” and co-author of the “Haunted Irvington” and “Indiana National Road” book series. His newest books are “Bumps in the Night. Stories from the Weekly View,” “Irvington Haunts. The Tour Guide,” and “The Mystery of the H.H. Holmes Collection.” Contact Al directly at Huntvault@aol.com or become a friend on Facebook.